For 3D artist and motion designer Jubesco Fernandes, what began as a simple curiosity grew into a thriving creative career marked by experimentation, playfulness and technical mastery. A mechanical engineering graduate who once worked as a video editor, Jubesco discovered the world of 3D design almost by accident; only to find a medium that matched his imagination perfectly. Today, he creates vibrant, character-filled animations, collaborates with global names, and brings childhood wonder to life through digital worlds of his own making.
Curious sparked
If I had to trace the beginning of my creative journey, it would start with a simple question I kept asking myself while working as a video editor: “How does animation actually work?” That tiny spark of curiosity nudged me to open a 3D software one day, purely to experiment and as an add-on. But the moment I created something in 3D, it clicked. The space, the logic behind movement, the freedom to build anything I could imagine, it all made sense instantly. What I thought would be a one-time test became the doorway to a path I’ve enjoyed walking ever since.
Memorable projects
Over the years, I’ve had the chance to work on some truly exciting projects; pieces involving The Walking Dead, Sir Anthony Hopkins, William Shatner, and even Squid Game. But the one project closest to my heart is my personal short film, Everything Is Multiverse. Inspired by the LEGO Movies, it allowed me to dive deep into their technical brilliance while adding my own strange, joyful and unapologetically weird flavour. That film feels like a bridge between the younger and adult versions of me. If you ever stumble across my YouTube channel, JubescoDoes3D, you’ll probably see that piece glowing with the most personal energy.
Starting process
When I begin a new project, my process starts with one simple rule: make it exist first, make it beautiful later. I focus on understanding what the project needs, its style, tone, and emotional range. Only then do I jump into heavy experimentation. My early drafts are intentionally messy. They act as a playground where I try to figure out what the piece wants to be. Somewhere in that chaos, the “visual rules” eventually reveal themselves, and that’s where the real shaping begins.
Tools & workflow
Most of my work is built inside Cinema 4D, with Redshift handling the rendering muscle. Unreal Engine has also become a crucial part of my workflow, especially when I need real-time feedback or want to experiment quickly. And of course, After Effects and Premiere Pro remain my go-to tools for compositing and editing. If you look at the playful, almost mischievous animations I share on Instagram, you’ll probably notice a recurring theme: I treat everyday objects as if they’re secretly alive. A lot of that comes from childhood nostalgia. It feels like I’m finally turning my younger self’s wild ideas into real, moving stories, something 12-year-old me would have considered magic.
Balancing technical skill with artistic expression is a constant dance. I see both as gears that must turn together. Technique without intention is meaningless; art without understanding its technical limits can’t exist. I keep pushing myself to experiment on both fronts. Every experiment adds a new tool, either technical or artistic to my internal glossary.
Challenges
One of the toughest challenges I’ve faced as a generalist is wearing every hat on a project. On most days, I’m the modeller, the rigger, the lighter, the animator, the compositor, the editor, and the sound designer, basically the entire cast and crew. It’s thrilling but also a juggling act that demands consistency. I overcame that by learning to break big tasks into smaller, manageable steps and building a workflow I can replicate no matter what the project is.
Digital sketchbook
Instagram, for me, is like a digital sketchbook. It’s where I test ideas, post experiments, and see what resonates. It’s also where I discover new artists, new styles, and new creative directions. The platform helped build my earliest client base. The trick, I’ve realised, is consistency. Share the moments in your workday you’re proud of. And yes, the algorithm loves it too.
Creative compass
Feedback from social media acts like a compass. It helps me understand what people enjoy, but it doesn’t steer my entire creative identity. Sometimes one comment even sparks a new idea, which then snowballs into something far bigger.
Collaborative lessons
Collaborations have been another exciting part of my journey, whether with musicians, brands, or studios like Orange Comet. Each collaboration feels like getting a backstage pass into someone else’s creative mind. I’ve learned new workflows, shortcuts, and sometimes even what not to do.
Simple advice
For anyone stepping into 3D art, my advice is simple: start tiny, finish often, and don’t be afraid to share. In a world where AI can create almost anything, your personal style becomes your strongest weapon.
Future trends
As for the future of 3D and motion design, real-time workflows, AI-assisted creation, and hybrid pipelines are reshaping the industry. We’re stepping into a creative renaissance where tools are faster, smarter, and more intuitive. And outside work? You’ll find me making music, gaming, hiking, playing with photography, occasionally woodworking, and lately, diving deep into 3D printing. It’s become my new favourite way to fill my home with tiny trinkets.
