MONDAY, 24 AUGUST 2026

The editor: The silent force shaping Goan cinema

The editor: The silent force shaping Goan cinema

In recent years, Goan films have been consistently selected at national and international film festivals, reflecting the steady rise of Goa’s independent cinema. While directors and actors often receive public recognition, the editor remains one of the most crucial yet overlooked contributors to a film’s success.

Editing is where cinema truly comes together. Through careful pacing, rhythm, and structure, editors transform raw footage into a cohesive and emotionally engaging story. The editor determines how performances are perceived, how tension is built, and how emotions flow from one scene to the next.

Goan cinema has been strengthened by the work of several accomplished editors whose contributions have quietly shaped its identity and quality. Editors such as Venkatesh P Lagji, Vardhaan Dhaimodkar, Rajesh Bhosale, and Virendra Gharse have played a significant role in elevating Goan films through their craft and creative insight.

Among the emerging names is Varun Kashyap, a mass communication graduate known for his work on films such as Illuminate, The Awakening, and Smoke and Mirrors. He frequently collaborates with director Rameez Shaikh and is recognised for his expertise in editing, visual effects, and graphic design. Beyond post-production, he often designs film posters that become the visual identity of a project and has also worked as a compositor for the Campus Chronicles magazine.

The Awakening won the South Asian Regional Award at the Don Bosco Global Youth Film Festival in the USA and received selections at several national festivals, including the Waves International Short Film Festival in Goa, the Urban Adda Film Festival in New Delhi, and the Mitee Environment Short Film and Documentary Festival in Pune. More recently, Smoke and Mirrors received the Best Student Short Film award at the Goa International Film Competition. Directors, cast, and crew associated with these projects have acknowledged Varun Kashyap as an indispensable member of the team, noting that the films would not have been possible without his contribution as an editor.

In low-budget Goan cinema, editors often bridge the gap between limited resources and refined storytelling, frequently taking on multiple responsibilities to ensure a film reaches its full potential. As Goa’s film movement continues to grow and attract wider attention, it is time that equal importance is given to those working behind the scenes. Goan editors are not merely technicians but storytellers in their own right, shaping films frame by frame. Recognising and celebrating their contribution is essential to the continued growth, credibility, and future of Goan cinema.


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Chippery: Where an Australian classic blends with Goan seafood culture

On a quiet street in Saligao, the smell of crispy batter and hot oil is impossible to ignore. The Goan explores how an Australian beach favourite, fish and chips, has found a new home in Goa, served fresh and fuss-free at Chippery

Veda Raut
Published Jan 24, 2026, 11:19 PM IST
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Chippery: Where an Australian classic blends with Goan seafood culture

On a quiet stretch of road in Saligao, where village life meets the steady flow of traffic between Candolim, Calangute, and Parra, the smell of hot oil and crisp batter stops people mid-step. It isn’t rava fry or Chonak masala. It’s fish and chips. Proper ones.From Australia to GoaChippery, a laid-back fish-and-chip shop run by Alex McPherson and Shivikka Aggarwal, is carving out a loyal following by doing something deceptively simple: taking a deeply nostalgic Australian…

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