PANAJI
In the quaint village of Xelpem Kumbharvado, 70-year-old Conceicao Fernandes embodies the spirit of tradition through her remarkable craft.
For nearly three generations, she has dedicated herself to creating beautiful earthenware”pots, plates, utensils, and tumblers”using nothing but her hands and raw materials from the earth.
Conceicao’s passion for moulding clay is palpable as she describes the thrill of shaping each piece. “There’s something magical about it,” she says, her eyes lighting up. “The food cooked in these clay pots tastes so much better, especially Goan curry. The flavours are enhanced, and it brings a unique warmth to the meal.”
Yet, as she continues her work, Conceicao is acutely aware of a looming threat. The traditional craft she cherishes is fading, overshadowed by the convenience of modern machinery and technology.
“Today’s generation has little understanding of these ancient techniques,” she laments. “If we don’t act now, we risk losing an invaluable part of our culture.”
Despite her dedication, Conceicao faces numerous challenges. She operates entirely on her own, from sourcing raw materials to selling her creations, with no financial support.
“I’ve reached out to the government for help, but I’m still waiting,” she shares, her voice tinged with concern.
Creating her intricate items is no small feat. Conceicao devotes two to three days to each piece, ensuring that love, passion, and dedication are infused into every creation.
“Nothing is ready overnight,” she insists. “To give your best, you must take the time to craft it well.”
As the sun sets over Xelpem Kumbharvado, Conceicao’s workshop remains alive with the sounds of moulding clay and her unwavering commitment to preserving a cherished tradition.
