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O Maria: Not the Goa, Lisbon left behind

O Maria: Not the Goa, Lisbon left behind

Released in 2010 in Goa, Rajendra Talak’s ‘O Maria’ held aspecial place in Lisbon’s agenda. The movie was Talak’s fourth film after theNational Award winning Aleesha in 2004, Antarnad in 2006 and Sawariya.com in2008.

This film is touted as something that people in Goa mustwatch because of his screenplay that is perennially thought provoking. As iscustomary with Talak’s work, the movie deals with issues pertinent to the stateof Goa. In this particular case, Maria is a single woman of well into herforties, who lives with her mother, and manages an unassuming business of puttingup tourists in her seaside house with a small restaurant attached. She isblessed with the fortune of being in possession of real estate in a localitywhich is the envy of developers.

The main theme that the movie revolves around is the conceptof the sale of land in Goa and the outsider/insider issue that the natives ofthe state are plagued by.

Maria (Shernaz Patel) is a middle aged single woman wholives with and takes care of her ailing mother (Sulbha Arya). Her source ofincome is the influx of foreign tourists that live with her as paying guests ather beachside home. Kevin (Kevin D'Mello), one of her brother's sons, looksupon her as a mother. The other son, Jack (Aryan Khedekar), is in cahoots withhis mother, Philomena (Meenacshi Martins) to sell the ancestral property theyown, which is at a prime location. This is further aggravated by the fact thatit is being sold to a ‘Gujarati property developer’, Jiten Shah aka 'Jitubhai'(Tiku Talsania). However, in order to do so, Maria must grant her approval, asher brother, John (Roseferns), has already signed an agreement to the sameeffect.

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O Talak: Goa scripts a story

Filmmaker Rajendra Talak shares his views on his views and the thought processes involved in the making of his on-screen creations, and how he believes that the Semana Cultura Indo Portuguesa has been the first step through the door of things to come

Fernando Monte da Silva/The Goan
Published Oct 20, 2012, 9:43 AM IST
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O Talak: Goa scripts a story

The Goan: What is the basic thought process involved in thedevelopment of your screen play? Does it vary, or is there a constant themethat is re-invented with every film?Rajendra Talak: It is fair to say that the theme I try tostick to is the constant prevalent issue in the state at the time. At times, itis even divination of what may be yet to come. I did that specifically with Aleesha.The focus on mining has arisen in certain times, but I had raised the questionof how to…

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